Art Schools & Careers

Explore Art Schools and a Career in Arts

Be a successful renegade artist/writer

Have you wanted to see your own article published in Expression, The Artist, Somerset Studio, or Art Doll Quarterly?

Do you dream of someday writing a successful book about the art that you love?

One day in 2005, I had coffee with NJ writer Mary Beth McCabe Temple.

She & I discussed what we have in common, which includes writing. And, she’s far more successful than I am, by a lot. She’s making connections at light speed and landing some amazing deals.

Of course, I wanted to know her secret. She generously provided me with some great contacts, but repeatedly emphasized the book, The Renegade Writer. Well, all of the local bookstores had sold every copy they’d had. So, I ordered it from Amazon.

A few days later, the book arrived. My first reaction was, “This is it? This is a skinny little paperback!”

Then, I started reading it. WOW! This is one of those books that is utterly jam-packed with one very practical idea after another, and many of these are… well, renegade ideas. After reading maybe five or six pages of this book, no wonder Mary Beth is doing so well!

See, I’ve been writing professionally–off and on–for over 20 years. I thought that I pretty much knew the routine: Ideas, queries, proposals, editors, contracts… everything.

I was really, really wrong.

If you’ve been thinking that it’d be fun to be published, either with a self-promoting article in Somerset Studio or in a best-selling book, buy this book.

I don’t say this often about writing books, because many of them just repeat the same stuff over & over again, and you can get all the info you need by reading a copy from the public library. Or, you can get the high points in a single issue of The Writer or Writer’s Digest magazines… which your public library probably subscribes to.

But, this book is VERY different. It’s a must-own if you’ve thought about getting published. You’ll refer to it often for advice and when you need a common-sense pep talk. You’ll highlight it, make notes in the margins… Really, buy a copy. Right now. Your first article sale will probably more than cover the price.

Even more articles by others

The following articles were written by others, and are updated automatically.

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Skim through the titles and see what looks interesting. I won’t necessarily agree with everything said in these articles, but this kind of information often provides food for thought, at the very least.
Internet marketing & promotion
The Secrets of Internet Marketing Millionaires

Web design & development
Short URLs and Redirection Without CGI

More web design tips
On Mouseover Alert Box

Business and sales
6 Proven Secrets To Writing A Trash-Proof Press Release

More business tips
Listen for the Sale

How much do artists earn?

I’m not netting $50K right now, but in past years, I have earned in that vicinity. I earned the most right before my third child was born, and–if you adjust for inflation–my gross was around $180K, with maybe 3/4 of that being net income.

The bulk of my income came from three sources:

Original art

The largest part of my income came from my original work. I sold through galleries and art associations. I made the most at art association shows, especially one-day outdoor shows. My second best art association outlet was selling through banks; a local bank accepted our art (through the art assoc) for their lobby walls, and my most expensive pieces ($500+ in early 1980s) sold there. Art associations also take a lower commission than many commercial art galleries.

Writing articles & books

My second highest–and most consistent–income was from writing. I wrote & wrote & wrote… mostly how-to articles for magazines, for book publishers, for anyone who would buy. I found my markets through the annual guide, “Writers Markets.” (Always get the latest edition. Your library probably has a copy.)

I sold first rights and then reprints, and the money added up. Those twice-yearly royalty checks from books are nice!

A little here, a little there…

I also made money in peripheral ways… doing custom illustration for printers, doing graphics for convention brochures, zines, and so on. I was always finding new outlets for my creativity, and it paid off in word-of-mouth referrals. I placed no paid advertising for my art, anywhere.

Working at home

In those days, I did no teaching at all. I’m painfully shy (really) and even one-day outdoor art shows were excruciating. So, almost all of my work was done at home, with two toddlers underfoot, and I provided the sole financial support of my family.

Then I remarried, had a third (wonderful) child, and my career seemed to threaten my new husband.

20 years later, I divorced and began the rebuilding process. So far, so good!

Back on track

I have been very successful in the past, working almost entirely from home. I expect to continue in that mode.

The “starving artist” cliche isn’t your only option if you want to earn your living as a full-time artist. No two artists will follow the same path. Find what works for you.

Remember that the average toddler falls down over 300 times before learning to walk. If you try career options that result in dead ends, don’t give up. Hope that it doesn’t take you 300 tries to find your best career path, but don’t give up!

How do you face your creative fears?

Aisling’s notes: As artists, we all deal with that double-headed demon, fear of failure/success. In this article, musician Bob Baker discusses some options when immobilized by these fears.

How Do You Face Your Creative Fears?

by Bob Baker

Gloria, a subscriber to my “Quick Tips for Creative People” e-zine, recently sent this note:

“Do you have anything on self-discipline and overcoming the fear of failure/success? I feel very enthusiastic when I do things, but the demons of fear just creep up on me. I do not want to repress them any longer; I am fed up with them. But I know it’s easier said than done. SOS: I do not want to be a chained slaved to my fears any longer. Help me help myself!”

Well, I’m flattered that Gloria felt comfortable in turning to me for some advice, but I’m also a bit fearful myself in tackling such a widespread obstacle to success. But I’ll give it a shot.

First, let’s turn to Marsha Sinetar for some perspective. In her book To Build the Life You Want, Create the Work You Love, she writes: “Almost all of us fear our potentials … Generally, fear’s message is that we’re not yet ready to be, do or have what we want. The way out of this dilemma is through a change of mind about ourselves — not simply the gaining of technical skills or textbook knowledge.”

Throughout her book, Sinetar encourages readers to play with their visions of a life that’s true to their purpose. I agree. Using your head for “possibility thinking” is extremely important in gaining confidence and getting mentally prepared for reaching higher levels of success.

But I also belief the best formula for living dreams is a balanced combination of THOUGHTS and ACTIONS. Nothing gives you confidence like having attempting something new that is in line with your creative passion. Whether it’s taking a painting class, going to a theatre audition, writing the first chapter of your novel … each small step builds a stepping stone to the next level.

Taking a closer look at Gloria’s note, I find the solutions to her dilemma woven into her very own words.

She writes: “I feel very enthusiastic when I do things …” She feels best when she is engaged in your passion. As she continues to do more things, her enthusiasm (and belief that she was meant to pursue her path) will grow.

“I do not want to repress (my fears) any longer; I am fed up with them.” Gloria has taken it upon herself to face her fears, not avoid them. By acknowledging her paranoia, she brings it out in the open, where it’s far easier to tame. She’s also grown frustrated with her fears, and discontent can be one of our greatest motivators.

In her book, Marsha Sinetar also says that successful people have “belief systems and self-ideas that support their life’s objectives. Underneath doubts, stronger than fear, lives the thought: ‘I can do this. I will do this. I am doing it!’”

Gloria also writes: “Help me help myself!” This is the most encouraging line in the note. She’s not blaming the world for her ills or laying excuses at the feet of her circumstances. She’s taking on the responsibility of wrestling this demon herself, which makes me realize she is right on track to slay this dragon.

Keep in mind, though, artists never reach a point where their creative lives are void of fear. It will never go away. But with a solid combination of positive thoughts and self-affirming actions, you can keep the little monsters very much under control.

P.S. Be sure to take a closer look at Marsha Sinetar’s two best-selling books: To Build the Life You Want, Create the Work You Love and Do What You Love, the Money Will Follow

Bob Baker is the author of “Unleash the Artist Within,” “Guerrilla Music Marketing Handbook” and “Branding Yourself Online.” Get a FREE subscription to Bob’s newsletter, “Quick Tips for Creative People,” featuring inspiration and low-cost, self-promotion ideas for artists, writers, performers and more. Visit www.PromoteYourCreativity.com for details.

Whose fault is it…?

Aisling’s notes: We’ve all had comments, emails, posts, and even our art misinterpreted… sometimes badly. In this article, musician & business consultant Bob Baker gives insight into what may have gone wrong, and how to prevent it from recurring.

Whose Fault Is It When You Don’t Get the Career Results You Want?

by Bob Baker

Human communication is a crazy thing. You tell somebody something with the intention of getting a certain response … and the person reacts in a completely unpredictable manner, sometimes with disastrous results. Let’s examine this topic and see how we can apply the lessons learned to promoting, selling and enjoying your creative talents.

You’ve had this happen to you at one time or another: You make a funny comment to a friend or family member based on something silly you’ve just been thinking about. Instead of laughter, you get frustration, maybe even a hostile reaction.

“How could they react that way?” you ask. “My intention was to make them laugh or feel good. How dare they misinterpret what I meant to do!” A lot of folks place the blame on the deranged individual who responded so radically.

Now switch to a freelance writer sitting down to write a sales letter she’ll use to drum up work. She knows she’s capable and has won a number of contests and has lots of published clips to show. So she gets to work writing about her qualifications and why editors should call her when they need freelance help.

The letters go out. Weeks pass by. No editors call.

“What’s wrong with these people?” she cries. “I gave them all the reasons I’m a good freelance writer, but none of these jerks is calling me!” She knew what her intention was. Why wasn’t her vision becoming reality?

This writer had made the mistake of not separating INTENT from RESULTS.

Intent is what you WANT or HOPE will happen. Results are WHAT HAPPENS. When it comes to communicating, your intent doesn’t matter. Results are the only thing you should be focusing on.

If you aren’t getting the results you want, do a little research and try a different approach. Even if you think your new brochure is the best thing since Ricky Martin … If it ain’t gettin’ the results you want and need … figure out what’s wrong and change it!

As a creative person, you are very focused on your art. You’re dedicated. Your brain percolates with dozens of ways to approach your current project. You nurture and refine your talent. In other words, you are very focused on … YOU.

That’s great for art … but not for marketing, promoting and selling your talents.

Our writer friend above, like many freelances, might eventually discover that sending letters that pitch specific story ideas get the most response from editors. Some writers I know even list five or six different tailor-made topics — one of which is likely to catch the editor’s eye.

Of course, that would mean the letter would have to focus primarily on the editor and publication receiving it … NOT on the writer herself.

So don’t get too attached to your intent, or get too angry when people don’t react as much and as quickly as you want. The only thing that matters are RESULTS. Focus on them and you may end up getting a lot more of what you want.

Bob Baker is the author of “Unleash the Artist Within,” “Guerrilla Music Marketing Handbook” and “Branding Yourself Online.” Get a FREE subscription to Bob’s newsletter, “Quick Tips for Creative People,” featuring inspiration and low-cost, self-promotion ideas for artists, writers, performers and more. Visit www.PromoteYourCreativity.com for details.